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Les paysages abstraits by Adrien M. / Claire B. Xyzt

Arts Numériques

Particles, Einstein's dreams, 2013 by Topological Media Lab

Creative team:
Michael Montanaro : Creative direction, art direction and coordination
Sha Xin Wei: Phenomenology of time perception
Jerome Delapierre: Realtime video, visual design and videography
Navid Navab: Real-time sound, sound design, sensor system design
Julian Stein: Realtime lighting

Shadow Orchestra by Peter Vogel

Together / A crowd-sourced animation installation by

Contribute to the installation at drawntogether.org

If A Tree Falls by Studio Indefinit

Miguel CHEVALIER Magic Carpets 2014 at Castel Del Monte, Italy

SOUNDFIELD by Christopher Thomas Allen and Tim Cowie.

https://vimeo.com/104614058

"Our response to this challenge was to explore the relationship between sound, space and energy while referencing the building's long history of aeronautical design and engineering. The resulting piece was a sound reactive video installation built with custom software in Openframeworks that uses a realtime fluid dynamics engine to distort and manipulate a set of vector fields. We designed and developed this custom software to allow us to visually map this huge space and to create a playful interactive piece that would engage the audience at the event while they walking through the tunnel.

We used a set of six 20k Full HD Christie projectors with very wide angle lenses to cover the walls and ceiling of the tunnel in three separate bands along the lengh of the space. Each of these arches of light contained a pair of Naim Audio speakers and a pair of vocal microphones at their bases. As the software generated different virtual energy forces that slowly moved down the space, the audience were encouraged to interact with these visuals by releasing their own sonic forces into the room. The resulting audio visual emissions and graphic turbulence created in these vector fields drove a multi channel piece of sound design in Ableton Live using OSC and Midi messages. The resulting sound scape sampled, effected and distorted the audience's utterances and triggered additional lighting effects at each end of the space."