Dahlia (2017)
By Ana Mouyis
Dahlia (2017) by Ana Mouyis
"Through a metaphorical narrative about love, Dahlia explores a relationship between two people which is burdened by mental illness. Journey through a colorful and ever-changing world; a hand painted realm that shifts and morphs to portray a darkened state of mind."
AMARILLO
By Ana Pérez López
AMARILLO
by Ana Pérez López
"This fruit has been part of our cultural history for centuries and is now threatened by extinction through monocropping and a looming epidemic. Ana Pérez López lets us take part in her internet expedition to explore the fate of the Gros Michel banana with alert humor. A finely drawn chronicle which also uses relics of the media and everyday history of the 20th century to retrace how telegenic the industry banana is and will remain. Even if it will soon cease to exist."
A FROG FRIED ME
By Ana Pérez López
A FROG FRIED ME
by Ana Pérez López
"Sound: Amanda Bonaiuto
A deer, a panda, a panther and two moose walk into a bar.
Architecture, chairs and Lecorbusier in a dancing deer form."
Bath House
By Niki Lindroth von Bahr
Bath House
by Niki Lindroth von Bahr
"Six characters meet in a public bath house: the pedant bath house manager, a couple with a strange way of communicating and a gang with shady intentions. Something goes wrong.
...Read our Q&A with filmmaker Niki Lindroth von Bahr on the Vimeo Blog: https://vimeo.com/blog/post/bath-house"
Cargo Cult
By bastiendubois
Cargo Cult
by bastiendubois
Porzellan / Porcelain - Joe Madog // Cité NOIR
By Cité Noir
Porzellan / Porcelain - Joe Madog // Cité NOIR
by Cité Noir
"Music by Joe Madog & The Trommelfellas // Visuals by CitéNOIR //
This animation film is a visualization of a song by Joe Madog, called "Porcelain". It deals with the theme of ephemerality and longing.
It's about the fragile things we hold precious,
trying to hold on to, but who will inevitably fade away,
vanish or break like porcelain.
The animation was pencilled on paper on a lighttable and then inked with brush and a light black ink and some gray inkwash, then arranged in a videosequencer frame by frame."