video animation

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122232440
2017-08-24
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Screenshot of Going Through the Motions (2015)
Copyright: Alan Jennings

Going Through the Motions (2015)
by Alan Jennings

"Gym class can be tough. Someone is bound to lose an eye."

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Day Light

By Daniel Rowe

2017-08-24
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Screenshot of Day Light
Copyright: Daniel Rowe

Day Light

vor 2 Monaten
Daniel Rowe

"Forest spirits on the coast of Maine. I made this as the first part of an experiment with projections. Music is from 'Watering a Flower' by Haruomi Hosono."

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DIVERSION

By min

2017-08-17
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Screenshot of DIVERSION
Copyright: min

DIVERSION
by min

"Constantly feeling rushed. Habitually saying ‘too busy’ or ‘quickly’. Always apprehensive that things might not be done in time. The desire to act quickly is basically a matter of speed. Elevation of speed requires reduction of time. The most economical way for this formula is a straight line. Connecting two points; starting and ending point, without a gap. People, consumed by the aim to reach the ending point, proceed rectilinearly. The space in between is merely a path leading to the ending point, and nothing more. This interspace has been omitted due to the rectilinear motion between the two points. Could people be liberated from the obsession of unidirectional movement and speed, if a new perspective is formed by visually converting the direction of spaces with intense unidirectional propensity?

Walls, doors and passageways that can involve the audience are installed in the interaction version. An image is projected onto the wall. It starts from the z-axis, consistent with the direction of the person advancing through the door. The image is composed of one-point perspective spaces and situations with intense unidirectional propensity. When the person proceeds in the intended direction, the sensor perceives the movement and the projected image revolves to the x-axis perspective. The image has a flat layout, lacking space perception. With the movement of people as the variable, the image portrays different spaces revolving on their axises.

In the animation version, symbolizes the interspace. Generally, fish are recognized from its profiles. It is more natural to visualize fish moving in the intersectional direction of people’s line of sight. While we constantly move rectilinearly, the space from the side; the interspace, could inhabit naturally travelling sideways."

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2017-08-10
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Screenshot of 青春おじいさん / Spring time-old man
Copyright: Hoji Tsuchiya

青春おじいさん / Spring time-old man
by Hoji Tsuchiya

Music video for Uri Nakayama"青春おじいさん / Spring time-old man"from new album "マホロバ/MAHOROBA"
http://www.tuff-beats.com/1052/index.html

You can order the print.
https://www.daylighted.com/explore/artist/hoji

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ARTIS LIVES

By Part of a Bigger Plan

2017-07-27
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Screenshot of ARTIS LIVES
Copyright: Part of a Bigger Plan

ARTIS LIVES
by Part of a Bigger Plan

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A Long Dream/꿈 꿈

By Hoji Tsuchiya

2017-07-13
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Screenshot of A Long Dream/꿈 꿈
Copyright: Hoji Tsuchiya

A Long Dream/꿈 꿈

by Hoji Tsuchiya

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TIK-TAK

By Ülo Pikkov

2017-07-06
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Screenshot of TIK-TAK
Copyright: Ülo Pikkov

TIK-TAK

by Ülo Pikkov

"Watchmaker controls the time, but the mouse living in the watchmaker's workshop controls the clocks... This is a film about time and its ephemeral nature."

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122232440