philosophy

Regular by Nata Metlukh

"The story is set in a graphic design world where fonts are the main characters. They have unique properties: Bold makes everything thicker, Italic tilts things, Monospace equalizes objects by width, etc. Fonts team up to build a garden, and the five boxing wizards jump in quickly to inspect their work. A negative space storm flushes everything away, but Regular comes and fixes the garden."

Logline: The five boxing wizards jump quickly.

Making-of: notofagus.com/films/regular

à la fin… by Nicolas Lichtle.

"Here is a film ... , it's neither fiction nor animation, the graphic style is rather singular. It's a moment of introspection, very intimate, staged through a succession of small moments imbued with poetry, absurdity and sometimes surrealism…"

(Un)Related To God by Thomas Pons

"A track by Apollo Noir, entitled « Unrelated to God », chanting God’s name…
Wait… Yes, it seems we are facing a paradox. Men strive to name God, to define Him, as much as they are willing to detach themselves from Him.
This traditional 2D animation video is about our relationship to God, the little figures embodying the metaphor of Men as builders of their own belief. The dust from stones disintegrate in elementary particles giving birth to new figures and matter. Men, stones and particles transform in mysterious cycles, Particles turning gigantic, Stones becoming alive, Men growing in colossal sculptures.  ..."

Written & performed by Apollo Noir.
Directed by Thomas Pons.

Pitch video: https://vimeo.com/407888190

Critical Living by Alex Widdowson

"Critical Living draws upon the experiences of people involved in the Philadelphia Association therapeutic communities while also addressing some of the major discussion points in the Critical Psychiatry movement.

Critical Psychiatry, formally known as Anti-Psychiatry, has been scrutinising the dominant medical understanding of distress for over 50 years. It’s leading members were a disparate bunch that included R. D. Laing and David Cooper, both disillusioned psychiatrists and co-founders of the Philadelphia Association, as well as the renowned philosopher Michel Foucault, the libertarian Thomas Szasz, and Erving Goffman a sociologist.

Since creating a therapeutic community at Kingsley Hall in 1965, the Philadelphia Association has run more than twenty community houses which have offered asylum and hospitality to people in distress. This work continues at two houses in North London.

The experience of fifty years has shown that personal crises and seemingly inescapable unhappiness may for many people be transformed in households like these. They are places where people can come together to address their difficulties in a situation of shared everyday living."

MAN ON THE CHAIR by Jeong Dahee

“Man on the chair” is tormented and constantly doubts his very own existence. It is just merely a picture that I created... Perhaps could I be also an image crafted by others?

Genius Loci by Kazak Productions

"One night, Reine, a young loner, sees within the urban chaos a mystical oneness that seems alive, like some sort of guide."

2D paper animation. 

Max Cooper - Order from Chaos - Official Video by Maxime Causeret

"I'm really excited about this video project, after the first live show it was the part that everyone was asking about - It is a beautiful humanised exploration of life and emergence, by Maxime Causeret. I hope you enjoy it as much as I do!

The idea for this part of the story started on a day when there was really heavy rain hitting the roof window at my old flat. I got out my binaural mics and put my head right up by the window with the big raindrops hitting all around. They made nice individual percussive noises, with great spatial positioning, so I decided to use them to seed a piece of music.

This track is the most explicit representation of the idea of emergence in the album, because the rhythm of the track is created by the raindrops in an emergent manner - I took the audio samples, mapped the transients for the raindrop hits, and then forced the mapped points towards the nearest drumming grid positions. This meant that the random raindrops were pushed into a quantised grid, and the result was that a percussive rhythm emerged, one that I hadn't created myself, but was the closest rhythm to that particular section of rain.…"