music

Karma.chaotic a film by Hale Yesilyurt

"In this dance performance film called Karma.chaotic, you will see how the performers handle chaos and order and how they keep the balance between them. It is about struggles in live, presented in a metaphorically way. In this film the dancers are fighting to their obstacles in chaos. There is a subtle interaction between the performers and they influence each others.The film combines abstract graphics with live
action footage"

Tall Juan - Cuidacoches

by Dante Zaballa

Clark • ‘Peak Magnetic’
by Warp Records

still life by mehdi shiri

"any good that has to do something whit your life has a story of you inside of it , maybe a short memory"

Music by Charibou

Tom Rosenthal - Fenn (Official Music Video)
by Sarina Nihei

A music video for the song 'Fenn' by Tom Rosenthal
Directed and animated by Sarina Nihei

Listen to 'Fenn' on Spotify : open.spotify.com/track/6rAxVzmCS0r4SPhhql96Yu
Tom Rosenthal's website: tomrosenthal.co.uk
Sound Cloud: soundcloud.com/tomrosenthal1

Day Light

vor 2 Monaten
Daniel Rowe

"Forest spirits on the coast of Maine. I made this as the first part of an experiment with projections. Music is from 'Watering a Flower' by Haruomi Hosono."

DIVERSION
by min

"Constantly feeling rushed. Habitually saying ‘too busy’ or ‘quickly’. Always apprehensive that things might not be done in time. The desire to act quickly is basically a matter of speed. Elevation of speed requires reduction of time. The most economical way for this formula is a straight line. Connecting two points; starting and ending point, without a gap. People, consumed by the aim to reach the ending point, proceed rectilinearly. The space in between is merely a path leading to the ending point, and nothing more. This interspace has been omitted due to the rectilinear motion between the two points. Could people be liberated from the obsession of unidirectional movement and speed, if a new perspective is formed by visually converting the direction of spaces with intense unidirectional propensity?

Walls, doors and passageways that can involve the audience are installed in the interaction version. An image is projected onto the wall. It starts from the z-axis, consistent with the direction of the person advancing through the door. The image is composed of one-point perspective spaces and situations with intense unidirectional propensity. When the person proceeds in the intended direction, the sensor perceives the movement and the projected image revolves to the x-axis perspective. The image has a flat layout, lacking space perception. With the movement of people as the variable, the image portrays different spaces revolving on their axises.

In the animation version, symbolizes the interspace. Generally, fish are recognized from its profiles. It is more natural to visualize fish moving in the intersectional direction of people’s line of sight. While we constantly move rectilinearly, the space from the side; the interspace, could inhabit naturally travelling sideways."