philosophy

The Visit by mustardcuffins


I went to Japan, it was like a place I knew, twice translated until it lost it's meaning and found a new resonance.

The track is Eet Lungfish
here
freemusicarchive.org/music/Eet/Spookfish/Lungfish

Feather to Fire by Gregory Colbert

Feelings by Hannah Jacobs

A tiny man falls in love with a beautiful swan.
My graduation film from the Royal College of Art 2013.

Directed and animated by Hannah Jacobs
Written by Victoria Manifold
Additional animation by Anna EIjsbouts and Lara Lee
Music written and produced by Kerry Leatham and Finnola D'albert
Sound design by Harry Jacobs
Sound Mix by Mike Wyeld

The Loneliest by Dan Azoulay

""The Loneliest" is an animated series dealing with loneliness. Based on the article "An Existential Perspective On Loneliness" by Michele A. Carter, each episode deals with a certain aspect of the concept and illustrates it by telling the story of the loneliest something."

Furniture Poetry by paul bush

"How can you prove this table does not vanish or alter shape the minute your back is turned? The film-maker contributes to this philosophical debate by changing tables, chairs, jugs, fruit and everything else lying around his house. 1999"

DIVERSION
by min

"Constantly feeling rushed. Habitually saying ‘too busy’ or ‘quickly’. Always apprehensive that things might not be done in time. The desire to act quickly is basically a matter of speed. Elevation of speed requires reduction of time. The most economical way for this formula is a straight line. Connecting two points; starting and ending point, without a gap. People, consumed by the aim to reach the ending point, proceed rectilinearly. The space in between is merely a path leading to the ending point, and nothing more. This interspace has been omitted due to the rectilinear motion between the two points. Could people be liberated from the obsession of unidirectional movement and speed, if a new perspective is formed by visually converting the direction of spaces with intense unidirectional propensity?

Walls, doors and passageways that can involve the audience are installed in the interaction version. An image is projected onto the wall. It starts from the z-axis, consistent with the direction of the person advancing through the door. The image is composed of one-point perspective spaces and situations with intense unidirectional propensity. When the person proceeds in the intended direction, the sensor perceives the movement and the projected image revolves to the x-axis perspective. The image has a flat layout, lacking space perception. With the movement of people as the variable, the image portrays different spaces revolving on their axises.

In the animation version, symbolizes the interspace. Generally, fish are recognized from its profiles. It is more natural to visualize fish moving in the intersectional direction of people’s line of sight. While we constantly move rectilinearly, the space from the side; the interspace, could inhabit naturally travelling sideways."

ARTIS LIVES
by Part of a Bigger Plan