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178913

SKIP&DIE - Wake up

By Rogier van der Zwaag

2017-10-05
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Screenshot of SKIP&DIE - Wake up
Copyright: Rogier van der Zwaag

SKIP&DIE - Wake up
by Rogier van der Zwaag

"From the album “Cosmic Serpents” by SKIP&DIE (Crammed Dics)

Direction: Rogier van der Zwaag
Art direction: Jan Jasper van Oord
Creative direction: Catarina Aimée Dahms aka Cata.Pirata
Producer: Nahuel Blaton
Makeup artist: Fadim Kurt
Hair stylist: Charlotte Niketic
Production assistant: Katrin Krumm
Art assistant: Pius de Heus
Editing/ Animation: Rogier van der Zwaag
Assistant animator: Gauthier Idric
Colourist: Remi Lindenhovius"

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2017-09-28
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Screenshot of Porzellan / Porcelain - Joe Madog // Cité NOIR
Copyright: Cité Noir

Porzellan / Porcelain - Joe Madog // Cité NOIR

by Cité Noir

"Music by Joe Madog & The Trommelfellas // Visuals by CitéNOIR //

This animation film is a visualization of a song by Joe Madog, called "Porcelain". It deals with the theme of ephemerality and longing.
It's about the fragile things we hold precious,
trying to hold on to, but who will inevitably fade away,
vanish or break like porcelain.
The animation was pencilled on paper on a lighttable and then inked with brush and a light black ink and some gray inkwash, then arranged in a videosequencer frame by frame."

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Tall Juan - Cuidacoches

By Dante Zaballa

2017-09-21
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Screenshot of Tall Juan - Cuidacoches
Copyright: Dante Zaballa

Tall Juan - Cuidacoches

by Dante Zaballa

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2017-09-21
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Screenshot of Clark • ‘Peak Magnetic’
Copyright: Warp Records

Clark • ‘Peak Magnetic’
by Warp Records

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DIVERSION

By min

2017-08-17
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Screenshot of DIVERSION
Copyright: min

DIVERSION
by min

"Constantly feeling rushed. Habitually saying ‘too busy’ or ‘quickly’. Always apprehensive that things might not be done in time. The desire to act quickly is basically a matter of speed. Elevation of speed requires reduction of time. The most economical way for this formula is a straight line. Connecting two points; starting and ending point, without a gap. People, consumed by the aim to reach the ending point, proceed rectilinearly. The space in between is merely a path leading to the ending point, and nothing more. This interspace has been omitted due to the rectilinear motion between the two points. Could people be liberated from the obsession of unidirectional movement and speed, if a new perspective is formed by visually converting the direction of spaces with intense unidirectional propensity?

Walls, doors and passageways that can involve the audience are installed in the interaction version. An image is projected onto the wall. It starts from the z-axis, consistent with the direction of the person advancing through the door. The image is composed of one-point perspective spaces and situations with intense unidirectional propensity. When the person proceeds in the intended direction, the sensor perceives the movement and the projected image revolves to the x-axis perspective. The image has a flat layout, lacking space perception. With the movement of people as the variable, the image portrays different spaces revolving on their axises.

In the animation version, symbolizes the interspace. Generally, fish are recognized from its profiles. It is more natural to visualize fish moving in the intersectional direction of people’s line of sight. While we constantly move rectilinearly, the space from the side; the interspace, could inhabit naturally travelling sideways."

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2017-08-10
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Screenshot of 青春おじいさん / Spring time-old man
Copyright: Hoji Tsuchiya

青春おじいさん / Spring time-old man
by Hoji Tsuchiya

Music video for Uri Nakayama"青春おじいさん / Spring time-old man"from new album "マホロバ/MAHOROBA"
http://www.tuff-beats.com/1052/index.html

You can order the print.
https://www.daylighted.com/explore/artist/hoji

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A Long Dream/꿈 꿈

By Hoji Tsuchiya

2017-07-13
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Screenshot of A Long Dream/꿈 꿈
Copyright: Hoji Tsuchiya

A Long Dream/꿈 꿈

by Hoji Tsuchiya

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178913