contemporary

CONTACT: Augmented Acoustics by Felix Faire

"CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface.
Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software."

Douglas Nottingham, Joe Perez, and Robert Esler: Percussion

Black = Sound
White = Silence

"Force.Line.Border. is an animated graphic score for a trio of indeterminate instrumentation. This work is the latest in a series of animated graphic scores that builds on the concepts developed by John Cage, Morton Feldman, Cornelius Cardew, and Earle Brown for using abstract visual imagery to define musical events. The animated score is projected into the space and the musicians perform composed improvisations derived from their interpretation of the image. Each of the performers is responsible for one third of the frame as the piece gradually shifts between solo phrases and ensemble statements."

Sliced by constantingeorgescu

"A very short video, produced with a great deal of help from my friends: Mimi Jeong and Tim Gerhards (dancers) and Jonas Wiese (sound design). "

"PomPom Mirror" (2015) by Daniel Rozin

"PomPom Mirror", 2015
928 faux fur pom poms, 464 motors, control electronics, video camera, custom software, microcontroller, wooden armature
48 x 48 x 18 in / 121.9 x 121.9 x 45.7 cm"

Ecstatic Symphony by Vanessa Louzon
Soundtrack: «756-760» by Robert Witt escrec.bandcamp.com/track/756-760

"I Don’t Remember Being Raised Like This"
by The Symptoms performance collective.

Creator-performers: Réka Szabó, Emese Cuhorka, István Gőz, Dániel Szász
Light and space: Attila Szirtes
Costume: Edit Szűcs
Visual design, interactive technology: Gábor Karcis, Zsolt Korai, Gábor Papp
Video: Gáspár Hajdu, Zoltán Csík-Kovács, Attila Zérczi
Special thanks: Gábor Botond Barna, Bence Földesi, Dóra Furulyás

A History of the Sky by Ken Murphy

"This is a year-long time-lapse study of the sky. A camera installed on the roof of the Exploratorium museum in San Francisco captured an image of the sky every 10 seconds. From these images, I created a mosaic of time-lapse movies, each showing a single day. The days are arranged in chronological order. My intent was to reveal the patterns of light and weather over the course of a year."