audiovisual

LITTLE BOXES - A project by Bego M Santiago.

Programation: Pavel Karafiát , Andrej Bolesvasky. Cooperate: CIANT (International Centre for Art and New Technologies) Camera man: Valquire Veljkovic. Exhibition: Elas Fan Tech at Normal, A Coruña Curator: Anxela Caramés. Producer: NORMAL , Universidade da Coruña (UDC) Residence of artist in NORMAL (UDC) // Residencia artística NORMAL (UDC). Music- "Little Boxes" written by Malvina Reynolds in 1962.

Distorted times by Gideon van der Stelt. "A collage of existing film fragments, released into my paper-folded version of Utrecht."

Audiovisual: Ryoji Ikeda :: superposition [updated 22 MAR 2013]

superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics.

Dance / Performance: Vivisector - Part 2 - Klaus Obermaier, Chris Haring.
VIVISECTOR is an examination of the different speeds of people/nature and technology/information society and their acceleration; an experiment to overcome the space-time continuum in the real world. It breaks the linearity of movement and in doing so shows the absurdity of momentum.

Composition / Graphical Notation: Ligeti - Artikulation

Choros / 2011 / 13 min / HD / Directed by Michael Langan and Terah Maher
Music by Steve Reich

A chorus of women are borne from the movements of a single dancer in this dreamlike "pas de trente-deux."
"Choros" premiered at Clermont-Ferrand International Short Film Festival in 2012 and has gone on to play dozens of festivals worldwide. The film is currently broadcast in Europe by Canal+.

For more information on the history of this technique, visit: chorosfilm.com

Sound installation from Arno Fabre - 2003 / 2006.

Eight percussion instruments – a cymbal, a timpani, a lithophone, a piece of wood, a red rubber band, a tagine cooking vessel, three marimba blades and eight flower pots are laid out in a circle and hanging in semi-darkness. Attached to the ceiling right above them, a network of cables and pipes is connected to a machine filled with water and composed of 24 drippers. Controlled by a computer playing a digital sheet music (Midi file, read by the software Max/MSP), the machine causes the water to drip on the percussion items hanging just below. The water drops fall as dictated by the music score, creating a real musical composition for water drops. The acoustic sounds produced by the percussion tools are amplified and broadcast through four loud speakers. There is no sound processing, or playing of recorded music, but only the sound of the impact of the drops. The water gradually fills up buckets as the music plays, and for sure, at some point, the buckets will have to be emptied.